The Devil’s Road filmmakers had a great time on last night’s Hour Local Radio Show on KSCO! We spoke with DJ and host Neil Pearlberg about all things The Devil’s Road, Nelson and Goldman, and what it took to ride over 5,000 miles through the harsh deserts of Baja California.
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Stay tuned, fans! Great, big, exciting news coming your way from the crew behind The Devil’s Road.
It is with a heavy heart that we, the Broken Wagon Films crew, write this upon receiving word of the death of a dear friend--and friend of many--Pancho.
It is hard not to think or talk about Baja without thinking of Pancho. In a way, he is Baja personified. He defined so many of our trips: making the drive on the rutted, sandy road out to Playa San Rafael to the beautiful spit of land he called home; his welcoming nature as he greeted us; and the ensuing days of stories, laughter, and exchanging of gifts. We spent many nights beside a fire on that beach with him and his dogs (so many over the years that we've lost count and begin to forget their names), drawing pictures in the sand, communicating in broken English and Spanish, listened as he told us stories of banditos and dolphins and the disappearing fish in the gulf, and watched as he ate a black scorpion that had crawled over his foot--in one bite, careful to not bite the venomous tip of the tail, pinched between two of his fingers.
His unmatched kindness and spirit will be missed, as will his jokes and wisdom.
Descansa en paz, Pancho "Correcaminos," nuestro amigo.
We are currently seeking musicians or bands for music use in the film. Think 1960s/70s Latin/South American surf/folk/garage rock. Please see our current videos to get an idea of the style we are looking for.
This is a chance for an established or emerging musician or music group to gain exposure, as we plan to present our film to a number of film festivals and screenings across the country and abroad.
Check out these links:
YOUTUBE CHANNEL: https://www.youtube.com/channel/UC0yRlXoSaIve9Odxb4ZcXRQ
So what does the California Academy of Sciences in San Francisco, California have in common with Nelson and Goldman and our documentary film, The Devil's Road? Aside from the obvious scientific research and the institution's exploration of our natural world, the connection was formed on a fortuitous day in 1905. Nelson noted in his 1921 book Lower California and It's Natural Resources that he “reached Ensenada on July 5th and found the schooner Academy, from San Francisco, in port on it’s way to the Galapagos Islands with a scientific expedition from the California Academy of Sciences.” Nelson had several weeks’ worth of specimens that he and Goldman had collected from northern Baja, and needed to have them shipped to Washington D.C. The crew of the Academy welcomed Nelson aboard, agreeing to stow his cargo, and Nelson enjoyed a fine supper aboard the vessel.
On July 11, 2017, our film crew had the honor of conducting an interview with several of the California Academy of Sciences research specialists. We were met at the back door of the Academy by Katie Jewett of the Press Office. She would accompany us during our tour of the Department of Ornithology and Mammalogy. In the basement of the museum we entered the climate controlled room full of specimen collections. Maureen “Moe” Flannery, the Collections Manager has been put in charge of the hundreds of thousands of bird and mammal specimens and introduced us to several specimens that Nelson and Goldman collected over one hundred years ago.
The first specimen was a Mexican cormorant that was collected in 1902 by Nelson and Goldman. The bird was incredibly well preserved. Next, we were shown specimens of seaside sparrows. The particular specimen that Nelson and Goldman procured was collected in 1874 in Washington D.C. and was donated to the Academy many years ago. The last specimen was a Bailey's pocket mouse, collected by Nelson and Goldman in December 1905 from a location just south of La Paz, Baja California Sur.
Jack Dumbacher, Curator of the Ornithology and Mammalogy Department, rounded off the morning with a well-presented perspective of what naturalists like Nelson and Goldman's fieldwork would have been like. He explained how they would have collected, preserved, and organized their specimens during an expedition. We also learned how valuable these specimens are to science. These thousands of study skins and mounts provide a glimpse into the past, how and where these animals lived, and even what they were feeding on when they were collected. As technology and new research methods change, their value will certainly increase over the next century and beyond.
We would like to thank the California Academy of Sciences for their continued support of Nelson and Goldman's work and of our film.
It took us two and a half days to get from the border to our home in Santa Cruz. A stop in Ojai at my dad's house for the night was the perfect halfway point. We battled more gusty, strong, and always changing winds the entire way home. Our last day in the saddle was a total of 315 miles and that brought an end to an amazing two-month filming expedition through the heart of the Baja Peninsula.
April 24 (Tijuana to San Diego)
I was filled with an honest mix of emotions when I woke this morning. JT was still sleeping and I slipped out of the hotel room to get a cup of coffee and reflect on my participation these last two months and in this project. On one hand, I was eager to get home and get back into my regular routine and be with Heidi. Yet, the other hand was wanting to hold onto more exploration, more time with JT, and more of what Baja encompasses. I have a love affair with this place that I cannot put into words. I have become accustomed to those around me speaking Spanish and me not knowing what they are saying. I have grown more comfortable sleeping on the ground in my sleeping bag and cooking over a fire of cactus wood, and I have secretly wished to keep going and seeking new Baja experiences.
One last shooting goal in Tijuana was all that was left. As we drove through the outskirts and downtown Tijuana, JT kept pulling over and running off to get a shot of this or that. His eye is keen with what he needs or what just happens to jump out at him. Several hours later, we were heading for the long lines at the border.
As it is always the case, we got in the wrong line. All other lines were moving faster than ours and we kept joking about jumping into another line and then having it be the slowest. As it turns out, motorcycles don't have to stay in line. They are allowed to split lanes and wedge in front of any car just before the border agent. So, we followed another motorcycles and skipped about two dozen cars and dove into a line with a slow and apparently very thorough agent.
Satisfied with our filming, the expedition, and how we met our goals, we set off to DMC Performance to fix JT's bike. It required a new chain and new rear sprocket to get her ready for the return trip home. We spent the night in Ramona at the home of JT's college friend Adam and his girlfriend Melisa's house. We were glad to be back in the States and very much enjoyed the company of old friends.
April 23 (To Ensenada)
Wind! It seems that nearly the entire trip north we have been met with a headwind, wind from the side, and then gusty winds that tend to push our bikes around. We rode 136 miles today and landed at a hotel in Ensenada. JT's bike has been experiencing some issues with the chain and rear sprocket. The chain keeps loosening and would skip as he accelerated. We have had to tighten the chain several times, but can't figure out why it loosens after a day's drive. We will try to get it to a repair shop in San Diego tomorrow.
April 22 ( Sierra San Pedro Martir)
Two coyote pups ran through our camp this morning! I was sitting next to the fire waiting for the water to boil for my coffee. I didn't even have time to get the camera before the pups disappeared into the rocks. JT was still asleep and again I felt that we missed an opportunity to get some wildlife on camera.
We met a group of women at the ranger station while on the way down to the lookout. They had just been there and took pictures of four condors. Our excitement rose as we made the 10-kilometer drive and secretly hoped they would still be there.
We were once again met with empty skies and no condors in sight. We were left holding the cameras, scanning the horizon, and sweating profusely under the Baja sun.
The road system through the park is very limited and most of the park can only be accessed by foot. Both JT and I were not up for a long hike carrying the camera equipment with "hopes" of seeing a condor, so we settled for a leisurely drive.
The Sierra San Pedro Martir is an amazing place and is home to a wide variety of plant and animal life. The breeze softly blows through the trees and immediately reminds me of the Sierra Nevada.
JT and I had a long talk while sitting around a roaring campfire later. Our attention was on how we can tell the story of the California condor without any footage of a wild bird. JT has been called "the magic man" by several of his clients for his ability to pull off a difficult job. He assured me that he has a few ideas and suggested that I not worry.
April 21 (El Rosario to Sierra San Pedro Martir)
As we wind down our shooting schedule and travel northward, we have realized that there is not a whole lot of excitement, change, or new material for the film. We have been on this road before and our vision now is to have another opportunity to film the condors in the Sierra San Pedro Martir. With so few animals in the wild and such a vast mountain range, we would be lucky to get footage of the largest flying bird in North America.
We arrived at the "lower lookout" point at about 2:30 in the afternoon. The pullout was empty and we sat perched on the outcropping of rocks for over an hour and all we saw were turkey vultures and ravens. It was hot and the breeze blowing up the canyon was even hotter. We were able to find many footprints of condors in the dirt around the garbage can in the pullout. Apparently they tend to congregate there because of the garbage. With our heads hung low we headed up the mountain to the park and our camp for the night.
At the park entrance we were able to meet and talk in more detail with Manuel (Park Ranger) and Felipe (Biologist and Park Ranger) about the condor program and how best to film them. Our plan was set and we felt we had a good chance to film the condor in the wild the following day.