Four Santa Cruz filmmakers set out to bring a historic expedition out of obscurity. The result was a feature-length historical-nature-adventure documentary called The Devil’s Road.

The Devil’s Road is a culmination of research, exploration, filming, and post-production work to revive the pivotal work of two of America’s most prolific naturalists: Edward William Nelson and Edward Alphonso Goldman. While these are not household names, their research laid the foundation of scientific studies in Baja and were viewed as a link between Darwin and present-day scientists.

Nelson and Goldman’s landmark expedition in 1905-1906 was unprecedented and completed in a time when the Baja Peninsula was considered one of the most remote and challenging areas in all of North America. They documented, cataloged, and obtained specimens of never-before-studied flora and fauna, all while trekking over two thousand miles on horseback. The pair made a number of significant scientific contributions to Baja’s natural history, and their expedition was the most thorough and complete studies of Baja’s ecosystems. They would later spend their careers heralded as some of the most adept naturalists of their time, with hundreds of plants, animals, and geographical features named in their honor.

It wasn’t just the early achievements of these two famed naturalists—though undeniably obscure outside of academic circles—that motivated the film crew. “It was only recently that, coincidentally enough, we learned our ‘Uncle Ed’ was the famed naturalist Edward Alphonso Goldman that worked with Edward William Nelson to explore the Baja Peninsula. I have been traveling around Baja with my family since 1990. We had no idea we had much deeper roots there,” explains Todd Bruce, the producer of The Devil’s Road, and the great grandnephew of Edward Goldman. “Baja has captivated us over the years. Nelson and Goldman’s accomplishments, coupled with our familial connection to this unique place, were driving forces behind creating the film.”

The team made a trip to the nation’s capital to pour through documents and glass plate negative photographs in the archives of the Smithsonian Institution. With latex gloves, they sifted through letters between President Theodore Roosevelt and Nelson, read field notes written over a hundred years ago by Goldman, and inspected century-old photo albums and specimens collected by the pair during their expedition. The film crew was also invited by the California Academy of Sciences in San Francisco to film archived specimens of mammals and birds collected by Nelson and Goldman during their time in Baja.

The film's director, JT Bruce, and producer then set out on an expedition of their own, spending two months and covering over 5,000 miles of Baja desert and coastline to retrace Nelson and Goldman’s original expedition route on motorcycles.

The film documents their thrilling quest—by motorcycle, airplane, boat, and horseback—across the Baja Peninsula where, along the way, they observe the vibrant culture and unforgettable people, and endure the challenges of the road. The film includes interviews with biologists and conservationists that provide a reminder of how grueling the original expedition was and why Nelson and Goldman’s work was so fundamental, as well as offer insight into the precarious future of the fragile ecosystems of Baja—and beyond.

“Much like our predecessor that inspired the film, knowing Baja on a more intimate level makes it incumbent upon us to be stewards of such a unique corner of the world. By sharing it with viewers we hope to help make a case for its conservation,” says Bri Bruce, the film’s associate producer and UC Santa Cruz alumni. “Baja is truly a magical place. There’s really no other way to describe it. I think I speak for anyone that has been fortunate enough to really witness it—stand in its deserts, swim in its oceans, get to know both the animals and the people there—they’ll see it’s worth fighting for.”

“Baja is a biodiversity hotspot,” explains The Devil’s Road Scientific Advisor Greg Meyer. Meyer is an educator at California State University, Monterey Bay, and a professional naturalist who led his first trip to Baja in 1985. He has traveled extensively throughout the peninsula, working for the Oceanic Society, Lindblad Expeditions, National Geographic Expeditions, and the BBC. “The Baja Peninsula is still one of the great wildernesses on earth and this film project has allowed us to see the changes over time and to highlight why it needs protection today.”

JT Bruce, the film’s director, expands on the themes of The Devil’s Road:

“Our film is not just a historical documentary or motorcycle road movie. It's not a reprimand on the audience for some perceived failure to protect the environment. It's a chance to gain a wider perspective and view the trajectory that our planet's ecosystems are on, and to help people make their own decisions about how we should approach the future.”

The film shows a complex interplay between past and present, and weaves together themes of discovery and change while serving as an environmental call to arms that pays homage to the strange and awe-inspiring Baja California. In an exciting mix of history, nature, and exhilarating adventure, The Devil’s Road is sure to entertain, educate, and inspire.

Comment

I woke up feeling somewhat somber, knowing that in a few hours I would have to drive to San Jose del Cabo, hop on a plane, and go home.

On asking JT and Papa how they felt the week’s filming went, they said they were pleased with accomplishing what they had hoped to throughout the week. The goal was threefold: ride horses into the Sierra la Laguna, following a similar route taken by Nelson and Goldman; surf some of Baja’s beaches (as it is one of only a few things Baja is known for to the outside world and is an important economic and cultural contributor for some places on the peninsula); and capture the opulence of Cabo San Lucas. I’d say the week was a success.

This did little to uplift my spirits completely. As we veered inland, all I could think about was that blue again. It's no wonder that legendary conservationist, scientist, and filmmaker Jacques Cousteau called the Sea of Cortez the world's aquarium. And let's not forget his famous quote: "The sea, once it casts its spell, holds one in its net of wonder forever."

I was leaving it behind again--and already I was planning the next time I’d see it. It is always with some degree of hesitancy or reserve, however. I always fear the state I will find it in when I return. It will never be as it was the time before, and its future is uncertain.

As the plane rumbled forward, then lifted, I looked out the window and bid the wondrous place a silent farewell.