We are so pleased to announce that The Devil’s Road has won Best Travel Documentary in the 5th Golden Gate International Film Festival!
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We are so pleased to announce that The Devil’s Road has won Best Travel Documentary in the 5th Golden Gate International Film Festival!
The Devil’s Road will be showing in person at the Red Rock Film Festival in St. George, Utah!
November 12, 2020, 7:45 - 9:25 PM MST
Center for the Arts at Kayenta — Theater881 Coyote Gulch Ct, Ivins, UT 84738
PURCHASE TICKETS:
https://redrockfilmfestival.eventive.org/films/the-devil-s-road-a-baja-adventure-5f71cd4fbc0fd2005233048c
Catch The Devil's Road at the virtual Glendale International Film Festival, October 15-21!
Tickets are on sale now at https://www.seedandspark.com/festivals/glendale-international
AT THE VIRTUAL BIG BEAR FILM SUMMIT 2020
JUNE 12 - JULY 12
The Devil's Road: A Baja Adventure will be streaming for a limited time at the virtual Big Bear Film Festival. Passes are now on sale.
If you enjoy the film and would like to support it, please consider voting for it in the virtual festival! Audience members will get a chance to vote for their favorite films in each category.
Please feel free to share with friends and family!
Purchase Passes: https://bigbearfilmsummit2020.eventive.org/passes/buy
View Film Page: https://bigbearfilmsummit2020.eventive.org/films/the-devil-s-road-a-baja-adventure-5ebe2de7d0d86b00777f12e8
The Devil’s Road is set to screen virtually as part of the U.S. Documentary Feature Competition from June 12 to July 12, 2020.
Learn more about the festival here: https://bigbearfilmsummit.com/
Four Santa Cruz filmmakers set out to bring a historic expedition out of obscurity. The result was a feature-length historical-nature-adventure documentary called The Devil’s Road.
The Devil’s Road is a culmination of research, exploration, filming, and post-production work to revive the pivotal work of two of America’s most prolific naturalists: Edward William Nelson and Edward Alphonso Goldman. While these are not household names, their research laid the foundation of scientific studies in Baja and were viewed as a link between Darwin and present-day scientists.
Nelson and Goldman’s landmark expedition in 1905-1906 was unprecedented and completed in a time when the Baja Peninsula was considered one of the most remote and challenging areas in all of North America. They documented, cataloged, and obtained specimens of never-before-studied flora and fauna, all while trekking over two thousand miles on horseback. The pair made a number of significant scientific contributions to Baja’s natural history, and their expedition was the most thorough and complete studies of Baja’s ecosystems. They would later spend their careers heralded as some of the most adept naturalists of their time, with hundreds of plants, animals, and geographical features named in their honor.
It wasn’t just the early achievements of these two famed naturalists—though undeniably obscure outside of academic circles—that motivated the film crew. “It was only recently that, coincidentally enough, we learned our ‘Uncle Ed’ was the famed naturalist Edward Alphonso Goldman that worked with Edward William Nelson to explore the Baja Peninsula. I have been traveling around Baja with my family since 1990. We had no idea we had much deeper roots there,” explains Todd Bruce, the producer of The Devil’s Road, and the great grandnephew of Edward Goldman. “Baja has captivated us over the years. Nelson and Goldman’s accomplishments, coupled with our familial connection to this unique place, were driving forces behind creating the film.”
The team made a trip to the nation’s capital to pour through documents and glass plate negative photographs in the archives of the Smithsonian Institution. With latex gloves, they sifted through letters between President Theodore Roosevelt and Nelson, read field notes written over a hundred years ago by Goldman, and inspected century-old photo albums and specimens collected by the pair during their expedition. The film crew was also invited by the California Academy of Sciences in San Francisco to film archived specimens of mammals and birds collected by Nelson and Goldman during their time in Baja.
The film's director, JT Bruce, and producer then set out on an expedition of their own, spending two months and covering over 5,000 miles of Baja desert and coastline to retrace Nelson and Goldman’s original expedition route on motorcycles.
The film documents their thrilling quest—by motorcycle, airplane, boat, and horseback—across the Baja Peninsula where, along the way, they observe the vibrant culture and unforgettable people, and endure the challenges of the road. The film includes interviews with biologists and conservationists that provide a reminder of how grueling the original expedition was and why Nelson and Goldman’s work was so fundamental, as well as offer insight into the precarious future of the fragile ecosystems of Baja—and beyond.
“Much like our predecessor that inspired the film, knowing Baja on a more intimate level makes it incumbent upon us to be stewards of such a unique corner of the world. By sharing it with viewers we hope to help make a case for its conservation,” says Bri Bruce, the film’s associate producer and UC Santa Cruz alumni. “Baja is truly a magical place. There’s really no other way to describe it. I think I speak for anyone that has been fortunate enough to really witness it—stand in its deserts, swim in its oceans, get to know both the animals and the people there—they’ll see it’s worth fighting for.”
“Baja is a biodiversity hotspot,” explains The Devil’s Road Scientific Advisor Greg Meyer. Meyer is an educator at California State University, Monterey Bay, and a professional naturalist who led his first trip to Baja in 1985. He has traveled extensively throughout the peninsula, working for the Oceanic Society, Lindblad Expeditions, National Geographic Expeditions, and the BBC. “The Baja Peninsula is still one of the great wildernesses on earth and this film project has allowed us to see the changes over time and to highlight why it needs protection today.”
JT Bruce, the film’s director, expands on the themes of The Devil’s Road:
“Our film is not just a historical documentary or motorcycle road movie. It's not a reprimand on the audience for some perceived failure to protect the environment. It's a chance to gain a wider perspective and view the trajectory that our planet's ecosystems are on, and to help people make their own decisions about how we should approach the future.”
The film shows a complex interplay between past and present, and weaves together themes of discovery and change while serving as an environmental call to arms that pays homage to the strange and awe-inspiring Baja California. In an exciting mix of history, nature, and exhilarating adventure, The Devil’s Road is sure to entertain, educate, and inspire.
Stay tuned, fans! Great, big, exciting news coming your way from the crew behind The Devil’s Road.
Return Home
It took us two and a half days to get from the border to our home in Santa Cruz. A stop in Ojai at my dad's house for the night was the perfect halfway point. We battled more gusty, strong, and always changing winds the entire way home. Our last day in the saddle was a total of 315 miles and that brought an end to an amazing two-month filming expedition through the heart of the Baja Peninsula.
Loreto to San Isidro
Abel was the most gracious host and honored us by agreeing to sit down for an interview. He has a very interesting life and was willing to share it with us. If anyone is thinking of spending some time in Loreto and needs a comfortable, safe, and inviting place to stay, I suggest Hostel Casas Loreto.
Our next stop was the towns of San Isidro and La Purisima in the middle of the peninsula. Both are touted to be beautiful and interesting oasis towns. The dirt road to San Isidro leaves Mexico Highway 1 at 59 kilometers north of Loreto. At first it is an easy and well-graded gravel road. Several miles later it gets worse. And several miles after that, it gets even worse (if a road could get that bad). We were maybe ten miles into the trek and had been following several motorcycle tracks nearly the entire way. As we came over a rise, staring down a boulder strewn "road" as it crossed the wash of an arroyo, we came to two motorcyclists slowly working their way out of the rocky wash.
Both guys were riding large BMW bikes and the front rider was clearly struggling. As I approached them, I asked if he needed a hand. His face was set in complete focus and had pain written all over it. Apparently, while attempting to navigate the rough roads ahead, he crashed his bike. With several broken ribs, this guy was slowly and painfully getting his bike out of this area and back on tarmac. He was tough and JT and I took a moment to reflect on our situation and the road ahead.
That 60-kilometer road was very difficult in spots, smooth in others, and everything else in between. The KLR 650s did a great job and we crested the lip of the canyon overlooking the Rio La Purisima. Water was flowing, palm trees were swaying, and crops were green and thriving. Another oasis town surrounded by dry desert and high canyon walls. Beautiful.
Typically when we arrive in a new place and will be staying for a while to film, we’ll ride through and get a good feel for what is there and what we might want to capture. We were an hour or so away from "the magic hour" so we set to find a good camp spot. We found a perfect site on a bluff overlooking the river on the other side of town.
JT set off with the camera to film and I was left behind to set up camp. Soon I realized that our ideal camp spot was not so ideal. We were harassed by just about every bug that flies. Swarms of bugs. So many you could barely see. Our only saving grace, we thought, was that nightfall was upon us and maybe they would dissipate.
The bugs stopped harassing us once the sun went down, but the minute the headlamp or flashlight was turned on, we were swarmed again. Thousands of bugs showed up almost instantly. It drove us crazy!
Mulege to Loreto
JT and I found a nice little beach next to a small community of gringo homes just 8 or so miles south of town to spend the night. As usual, last night was a bit chilly and as soon as the sun came up we were warm and ready to get moving. I had some time to blog, drink coffee, and relax as JT came to life in his sleeping bag. I love the Sea of Cortez and the Bay of Conception. Peaceful and embracing.
With the last of the filming needed for Mulege, we drove into town to secure the last glimpse of this spectacular and inviting pueblo. JT struck off by himself, so as to be unencumbered by my "tagging along.” This was an agreement we came to a while ago and it works well...I think!
While in the plaza and catching up on my blogging, I kept noticing and saying hi to an American couple that was walking about. They looked lost and after the 6th or so lap, I asked if they needed any help. They were looking for their lost friend and hadn’t seen her since last night at midnight. They were worried and were heading to the police department.
I finished my work and JT arrived when I noticed the "lost friend" walking down the street, fitting the couple’s description. As it turns out, she was never "lost" and her friends just mistook her actions (getting up early to go for a walk and to get breakfast). We all had a chuckle.
After driving around trying to find the road to the prison museum, we passed the fire station. The firefighter outside the station was wearing a T-shirt that read "Branciforte Fire District" so I slammed on the brakes to stop and talk with him. I gave him one of my patches and told him that his shirt came from my hometown. His English was not good, my Spanish is terrible, and I don't know if he understood me. Regardless, it reminds me how small the world can be!
The Mulege Prison was completed in 1909 and was in operation until 1974. Interestingly, it was the only prison in Baja that was built with no bars. The prisoners were free to go to work every day, but had to return at 6pm. If a prisoner did not return, the others would go and find him.
Our original plan was to head over to San Isidro and not come into Loreto. Nelson and Goldman skipped Loreto completely so as to spend time on the Pacific side of Baja. We wanted to visit the Mission San Javier that resides west of Loreto and in the Sierra La Giganta in a beautiful oasis valley.
The Hostel Casas Loreto opened up their doors to us and we decided to stay two nights. Parking was not an issue as Abel (our host) told us to park the bikes inside...next to our room.
Bikes inside Casas Loreto hostel. Thank you, Abel!