Stay tuned, fans! Great, big, exciting news coming your way from the crew behind The Devil’s Road.
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On behalf of the Broken Wagon Films crew, we’d like to extend a huge thank you to everyone who came to last night’s sneak peek in Oakland! You were specially selected to help us look at the film from an objective, critical perspective as we near the end of production and begin to make our final adjustments. Your input is critical in this final stage. We enjoyed the productive Q&A session, and it was great to hear from everyone what they felt were the film’s strengths, and what could be improved upon as we gear up for the film festival circuit.
We hope you enjoyed the film and the refreshments, and greatly value the feedback and criticism from everyone.
Last week, Broken Wagon Films’ The Devil’s Road producer, Todd Bruce, and director, JT Bruce, attended the 2018 Annual Fellows Gathering as guests at the California Academy of Sciences in San Francisco, California.
The exclusive event, which took place on Tuesday, October 9th, comprised of an evening of intriguing lectures, awards, and special recognitions. The crew was honored to have been invited among many esteemed scientists.
We are currently seeking musicians or bands for music use in the film. Think 1960s/70s Latin/South American surf/folk/garage rock. Please see our current videos to get an idea of the style we are looking for.
This is a chance for an established or emerging musician or music group to gain exposure, as we plan to present our film to a number of film festivals and screenings across the country and abroad.
Check out these links:
YOUTUBE CHANNEL: https://www.youtube.com/channel/UC0yRlXoSaIve9Odxb4ZcXRQ
The Broken Wagon Films team would like to take this opportunity to let everyone know that our main expedition is complete. All of our team members participated during this two-month filming expedition, as well as a few additional and short duration assistants. I first must say that JT said it best: “The film is in the can!” Meaning, we have the footage needed to put together a stellar documentary, and as the director, he is very pleased with what we have been able to accomplish and where we will be in a year or so after the editing is complete.
The Baja Peninsula threw everything she had at us and we still escaped serious injury and had no significant mechanical issues. We persevered through it all: slept in the snow, got stuck in the sand, blown over by the strong and gusty winds, poked and scratched by just about every plant with thorns, swarmed by thousands of bugs, embraced by the wonderful Baja culture, and even slept with a scorpion.
Here are a few numbers for you to ponder and for your entertainment:
- 5280 - miles driven on the motorcycles in two months
- 29 - times the motorcycles were “dumped” or we crashed at low speeds (20 by Todd and only 9 by JT). Two of JT’s crashes were Todd’s fault! And Todd dumped his bike three times while standing still!
- 7 - cameras used on the expedition
- 36 - hours of footage from all the cameras
- 8 - inches, the length of the “World Record” Nelson Trout caught by Eric
- 530 - pounds in weight of each bike including gear, food, and water
- 4 - people we met along the expedition that said, “You're the Devil’s Road guys! We've heard of you!”
- 11,000 - feet, the altitude that Scott flew his plane, without a side door and with JT harnessed in so that JT can get aerial footage of the Sierra San Pedro Martir range of mountains
We look forward to sharing with all of you our stories and experiences. JT has an enormous task ahead of him to sort through and edit all that we have. When we have a working version of the film we will call upon all of you to help critique and finalize the film.
Again I would like to thank all of our sponsors, donors, and crowdfunding backers. We would not have been able to do this expedition without your support and generous contributions--in the form of mission-critical equipment and otherwise. I would also like to thank our assistant expedition contributors; Wayne Bruce, Scott and Laurie Bruce, Eric Bruce, Heidi Lewin, Bri Bruce, Jade Lewin, Gia and Eric Doughty, and Guy VanCleave. Because of all of you, we were able to secure some fantastic footage that will make this film shine.
As always, keep watching our website for updates and new items. And don’t forget to keep sharing the project with others on social media. We are very excited and pleased with what we have thus far.
Producer, The Devil’s Road
It took us two and a half days to get from the border to our home in Santa Cruz. A stop in Ojai at my dad's house for the night was the perfect halfway point. We battled more gusty, strong, and always changing winds the entire way home. Our last day in the saddle was a total of 315 miles and that brought an end to an amazing two-month filming expedition through the heart of the Baja Peninsula.
April 22 ( Sierra San Pedro Martir)
Two coyote pups ran through our camp this morning! I was sitting next to the fire waiting for the water to boil for my coffee. I didn't even have time to get the camera before the pups disappeared into the rocks. JT was still asleep and again I felt that we missed an opportunity to get some wildlife on camera.
We met a group of women at the ranger station while on the way down to the lookout. They had just been there and took pictures of four condors. Our excitement rose as we made the 10-kilometer drive and secretly hoped they would still be there.
We were once again met with empty skies and no condors in sight. We were left holding the cameras, scanning the horizon, and sweating profusely under the Baja sun.
The road system through the park is very limited and most of the park can only be accessed by foot. Both JT and I were not up for a long hike carrying the camera equipment with "hopes" of seeing a condor, so we settled for a leisurely drive.
The Sierra San Pedro Martir is an amazing place and is home to a wide variety of plant and animal life. The breeze softly blows through the trees and immediately reminds me of the Sierra Nevada.
JT and I had a long talk while sitting around a roaring campfire later. Our attention was on how we can tell the story of the California condor without any footage of a wild bird. JT has been called "the magic man" by several of his clients for his ability to pull off a difficult job. He assured me that he has a few ideas and suggested that I not worry.
April 21 (El Rosario to Sierra San Pedro Martir)
As we wind down our shooting schedule and travel northward, we have realized that there is not a whole lot of excitement, change, or new material for the film. We have been on this road before and our vision now is to have another opportunity to film the condors in the Sierra San Pedro Martir. With so few animals in the wild and such a vast mountain range, we would be lucky to get footage of the largest flying bird in North America.
We arrived at the "lower lookout" point at about 2:30 in the afternoon. The pullout was empty and we sat perched on the outcropping of rocks for over an hour and all we saw were turkey vultures and ravens. It was hot and the breeze blowing up the canyon was even hotter. We were able to find many footprints of condors in the dirt around the garbage can in the pullout. Apparently they tend to congregate there because of the garbage. With our heads hung low we headed up the mountain to the park and our camp for the night.
At the park entrance we were able to meet and talk in more detail with Manuel (Park Ranger) and Felipe (Biologist and Park Ranger) about the condor program and how best to film them. Our plan was set and we felt we had a good chance to film the condor in the wild the following day.
April 20th ( to El Rosario)
It was a short drive to El Rosario where we ate a fantastic late breakfast at Mama Espinoza's. We secured a room for the night and went to work with the usual hotel chores (laundry, showers, charging electronics, and jumping onto the Internet, if available, to send data).
Punta Baja is a short 16-mile drive from town so we thought we would head out there and see what we could find. On the way, I stopped abruptly to watch a meter-long gopher snake cross the road. JT didn't see me in time and crashed. Thankfully, there was no damage to the bikes or to JT. He just tumbled over the handlebars and onto the soft dirt of the roadway.
While we were righting his bike, we were also attempting to wave the traffic away from the snake in the road. All said and done, JT did get some footage of the snake, but not until after it was run over once, then twice. In total, four cars ran over the snake and no one really seemed to care.
April 19th (Guerrero Negro to a desert camp)
I had heard, some time ago, about an attempt to breed and set free the Baja Pronghorn Antelope. These majestic animals once roamed the peninsula in great numbers. By 1905, Nelson and Goldman were only able to find a few hoof prints, but no animals. We arrived at the facility unannounced and asked to film the animals. We were met with opposition, and insistence that protocols and permits were necessary and we were not allowed to film the animals. Disappointed, we took a few still photos and drove back out to the highway.
We were about 40 km from Punta Prieta when we passed a driver in a car heading south that frantically waved his arm and flashed his lights at us. We slowed as we rounded the curve and came face to face with a pickup truck in the ditch next to the road. Several passersby were helping the driver of the truck. His name was Neville and it appeared he had suffered a shoulder injury. I went into fireman mode while JT did his best to film the scene.
The police showed up shortly and went about trying to get all the information they needed for their reports and told me the ambulance was coming from Guerrero Negro and may take an hour. JT and I did our best to help Neville with gathering his stuff, making a list of valuable items, and securing his personal affects. He was very lucky that he was driving a newer Ford truck with airbags and was wearing his seatbelt. He said he swerved to avoid a pothole in the road!
With daylight slipping by, we found the perfect camp and quickly set about to stage our next shoot. Nelson documented how they would set up or take down their camp at night by setting fire to several dead yucca or agave plants. This would give them up to an hour worth of light. We recreated that very same situation with several dead agave plants. JT was pleased with the outcome. I, of course, was pleased to light something on fire!